Well she's not bleeding on the ballroom floor Just for the attention. Cause That's just ridiculously odd. Well, she sure is gonna get it (The attention and the bullets) Here's the setting Fashion magazines line the walls now The walls line the bullet holes...
Have some composure Where is your posture? oh no no! You're pulling the trigger Pulling the trigger All wrong
Have some composure Where is your posture? oh no no! You're pulling the trigger Pulling the trigger All wrong
Give me envy Give me malice Give me your attention Give me envy Give me malice Give me a break!
When I say "Shotgun" you say "Wedding" "Shotgun" , "Wedding" "Shotgun" , "Wedding"
She didn't choose this role But she'll play it and make it sincere So you cry, you cry (Give me a break!) But they believe it from the tears And the teeth right down to the blood At her feet Boys will be boys Hiding in estrogen and wearing Aubergine dreams (Give me a break, break, break)
Have some composure Where is your posture? oh no no! You're pulling the trigger Pulling the trigger All wrong
Have some composure Where is your posture? oh no no! You're pulling the trigger Pulling the trigger All wrong
Come on this is screaming "Photo op." op... (It's Time To Dance) Come on this is screaming "Photo op." op... (It's Time To Dance) Come on Come on This is screaming This is screaming This is screaming "Photo op."
Boys will be boys, baby Boys will be boys Boys will be boys, baby Boys will be boys
Give me envy Give me malice Give me your attention Give me envy Give me malice Baby Give me a break!
When I say "Shotgun" you say "Wedding" "Shotgun" , "Wedding" "Shotgun" , "Wedding"
Boys will be boys Hiding in estrogen and boys will be boys Boys will be boys Hiding in estrogens and wearing Aubergine dreams
Compositores: George Ryan Ross, Spencer James Smith, Brendon Boyd Urie ECAD: Obra #2717112 Fonograma #1152642