[Giorgio Moroder] When I was fifteen, sixteen when I started really to play the guitar I definately wanted to become a musician It was almost impossible because the dream was so big I didn't see any chance Because I was living in a little town I was studying And when I finally broke away from school And became a musician, I thought "well I may have a bit of a chance" Because all i every wanted to do is music but not only play music, but compose music
At that time, in Germany, in 1969-70 they already had discotheques So I would take my car and go to a discotheque and sing maybe 30 minutes I think I had about 7-8 songs I would partially sleep in the car Because i didn't want to drive home and that help me for about almost 2 years to survive In the beginning, I wanted to do a album with the sound of the 50s, the sound of the 60s, of the 70s and then have a sound of the future And I said: "Wait a second? I know the synthesizer Why don't I use the synthesizer which is the sound of the future "And I didn't have any idea what to do but I knew I needed a click So we put a click on the 24 track which was then synch to the moog modular I knew that it could be a sound of the future but I didn't realise how much impact it would be
My name is Giovanni Giorgio But everybody calls me Giorgio
You want to free your mind about a concept of harmony and music being correct you can do whatever you want So nobody told me what to do and there was no preconception of what to do
Compositores: Giorgio G Moroder (Giorgio Moroder) (GEMA), Guillaume Emmanuel Paul Homem Christo (Christo Guy Manuel Homem) (PRS), Thomas Bangalter (Daft Punk) (PRS)Editores: Concord Music Publishing Llc (PRS), Keyboard Music Ltd (PRS)Publicado em 2013 (17/Jan) e lançado em 2013 (01/Abr)ECAD verificado obra #7690815 e fonograma #3244137 em 23/Out/2024 com dados da UBEM